When I zoom the camera on Alex’s momentarily untensed face while he’s dozing by the pool, it’s not because I’m a creep. When I pursue Ayo and Dija around the garden, keeping their feet and butts in shot as they belittle each other, it’s not because I’m a busybody and a lech. And when I pan to the lighthouse piercing the sunset beyond the security spikes, it’s not out of any feeling of wonder, or even curiosity about possible escape routes. Please understand: I do not see these people, these objects at all, just the boneless, faceless traces they leave upon my own servitude to the lens.
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